1766-1853 German Wilhelm von Kobell Gallery Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.  Related Paintings of Wilhelm von Kobell :. | The Siege of Kosel | Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich | The Siege of Cosel | Jager zu Pferd in oberbayerischer Landschaft | Jager auf der Hochalm |
Related Artists:
Emil Carlsen
Danish-born American Painter, 1853-1932 Soren Emil Carlsen (1853 ?C 1932) was an American painter associated with the Cos Cob Art Colony. Carlsen painted primarily landscapes and still lifes. His fastidiously painted still lifes are influenced by Chardin and often depict copper pans, game, or flowers. He was an art teacher for over fifty years; his students included James Swinnerton.
dominique peyronnet

Simone Peterzano
(c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).